Lately, even very low wattage amps are benefiting from novel efficient speaker designs, so driving amp sounds are easier than ever to get at this level. Small amps sometimes offer on-board effects or modeling so you can dial in a tone that’s close enough to your ideal sound to not be overly distracting while you practice and write. This usually means something under, say, 40 watts and preferably less than $300. It wouldn’t hurt if it was possible to make it loud enough for very small venues, too, so you don’t need to drag out your showpiece for every coffee shop and bar. Nevermind the simple fact that these beauties are often simply too loud for the home setting.Ī decent practice amp should be flexible, capable of good tones at low volumes, and small enough to drag around with ease. Guitarists always want good tone, but we might not want to be putting a lot of mileage on that multi-thousand dollar half-stack. This usually takes the form of a small combo amp. Many guitarists have a secondary rig that they use for noodling around on. When you’re practicing at home, though, it isn’t quite so necessary. You want to have the best tone when it matters, as well as enough power to cut through the band. These pieces are excellent, but they’re also expensive.Įxpensive is fine for your live rig. With the boutique companies, you’re getting something distinctive, something hand-wired and special. Everywhere you look, a new maker of guitars, pedals, or amps is popping up. We live in an era of unprecedented choice when it comes to guitar gear.
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